Seven pieces at random, could be the title of this spectacle divided in seven brief proposals very well that could be extracted of the section of events of any newspaper and whose portagonistas do not seem, at least in principle, too santificables beings.

Of the most singular personages we can deduce problematic the most frequent one: the brutality, the cruelty, the feeling of fault, the solitude, the desperation, the questions, ¿the sanctity?

During all the work, different types from “sanctity attacks” surprise each one of them. Who? A battered woman, with sinful dreams, a confused girl with inclination to the suicide, a broker who sells spiritual peace, distressed by the solitude and the insecurity… All, less to that one of the estridente smile, that one of the dominant security, the bad one.

Different scenes, from currencies, most brilliant the confesionario to of the ideas, to a resucitadora of the social security; all a history of originalities in which the company Theater of the Chance has worked to obtain the best one of the results. On the text of Antonio Álamo, Javier Esteban and Mercedes Asenjo they worked and they obtained this final production in which the quality of the interpretation is clear.

Dominion of the scene. This one is the sensation that I obtained when contemplating by twice followed (a day after another one) this work. The actors moved by the scene and acted with an almost true espontaneidad. He is more, of a day for another one, I could observe points in which such actors improvised phrases or gestures that surely enrich the spectacle and the personages.

Scenery and lights, something that does not escape either to the spectator in this work. A unique, but money changer, absolutely ingenious, original scenery, and practitioner. With a brass bottom apparently (although consisting of laminae of plastic transparency on black bottom, with striae as a canelón without coiling) in which a hole lets pass the light of a center, the only furniture of the scene is all multipurpose ones perfectly designed for each scene. A species of rectangular great box that serves from confesionario to bed, from waste basket to podio for suicidal… Brilliant.

Of the scenery, to the lights. The illumination in this work seems as fundamental to me as all the others. The use of the centers for each occasion, the game between shade and movement. The light, accompanied by the sound, also fundamental, product of a tremendous imagination, is fundamental in this work in which the black fused ones separate the spaces next to the sound of a cistern in operation.

Too many details perhaps for a work like this one, deserving of the surprise, although nothing is what here I say compared with which is gotten to see. And following with the d in each paragraph, I finish:

Divine, and ................ demential, at the same time.

Current facts of current people, “sanctified” ¿to its grief?.

Perhaps these at random sent proposals, that have been developed and completing during the tests with great doses of freedom and valentía, do not respond but to the conviction of which the experience of the extraordinary thing is common to us to all.>> (A.Álamo)