Solano and Ríos, dragging an old large chest that locks up all its theater apparatus, arrive at here and to now of the representation coming from a length I wander through space and of the time. They have to repeat before the public a coarse spectacle, halfway between the story and the interpretation, but the fatigue, the boredom, the doubts and fears time and time again delay, interrupt their performance in a dialogue that - deliberately emparenta with Vladimiro and Estragón, ambiguous clowns of Samuel Beckett.

Around this thematic one - the condition of the actor and its position in the society, made specific in its relation with the public tour, ramble and run the textual plot of Ñaque. Condition precarious, since their weakness and its force depend on the fleeting and always uncertain encounter with that multiple and unknown being that watchs in the shade of the room and, apparently, it watches and only it listens.